I use both traditional and contemporary methods of woodworking, joinery and finishing. All clocks have glass protecting the face, a finished interior, and a removable door covering the back. The faces are designed using original fonts from the early 1900's. I print them with a silkscreen process using special textured embossing inks, and treated with antiquing glazes. The modern wood finishes are light-fast and durable. They are then treated with a hand-rubbed dark antiquing wax to give a truly "aged look." All clocks are then signed, dated, numbered and cataloged.