Since its original section was built ca. 1800, owners have cherished this house in the center of Oak Hill, New York, a small town in Greene County. The property was part of the Maitland Patent, land granted by George III in 1767. In 1794, it was conveyed as Lot 34 to blacksmith Levi Austin Jr., builder of the original house. Brothers Lewis and Philo Hickok added the ca. 1832 brick manse that faces the street today, incorporating the vernacular structure as an ell.
In 1846 they sold the property to Alfred Tripp, whose descendants lived here until 1958. It is still known as the Tripp House. Then, in 1996, Nick and Mary Lou Nahas bought the house, appreciating its Federal façade and Greek Revival elements. They also bought the Victorian-era general store next door.
“There are no other brick houses in Oak Hill,” says Mary Lou. “The house was in a remarkable state of preservation. After the Tripp family left in the late 1950s, it continued to have owners determined to preserve its architectural and historical importance, owners that included New York mayoral candidate Bill Thompson, the president of MOMA, and [financier and old-house aficionado] Richard Jenrette.”
Mary Lou’s son, Christopher Gordon, is a designer who provided invaluable help when she began to furnish the interior.
“He helped me carefully scrape a single layer of paint from old moldings,” his mother recalls. “Chris is always a completely honest advisor, even if I don’t really want to hear what he tells me. He helped us match colors and find furnishings.”
The brick house boasts a traditional floor plan wherein two large rooms, the most formal in the house, open from a central stair hall. The earlier back-house section contains Levi Austin’s main room, which functions as the kitchen. “We call it the keeping room,” Mary Lou says. “We put modern stuff like the dishwasher and refrigerator into one of the pantries.”
Different types of grain painting are found throughout the house, including door and window trim painted to resemble marble. Nick and Mary Lou made the front hall’s black and cream-colored, diamond-checked floorcloth. The lady of the house made all of the curtains.
“I don’t attempt to hang them across the moldings, as they would have originally hung,” she explains. “The swags in the downstairs parlor are from a pattern provided by Jane Nylander in a workshop I took years ago. The dining room has no curtains; we use shutters for privacy and to keep out or let in light.”
An ideal home for her favorite things, the house is filled with hooked rugs, early quilts and coverlets, primitive house paintings, and lace curtains hung on string. A carpet made by Family Heirloom Weavers runs up the stairs; Adelphi wallpaper borders distinguish two of the bedrooms. Period and reproduction furniture was carefully chosen to suit the scale as well as the age of the rooms.
“We have a wonderful opportunity to learn about the 18th and early-19th century,” says Nick Nahas—a research scientist who has become Oak Hill’s town historian.
As early as 1815, a document referenced a store next door. Although an 1888 store building stands there today, records indicate an unbroken history of home-with-next-door-store. When the Nahases bought the place, they continued the tradition: on weekends they sell antiques and collectibles from the store’s original interior, displaying dishes and textiles on the shelves and counters without anachronism.
“I love the house, love the town, and I have always loved to play house and play store,” laughs Mary Lou.Published in: Early Homes Winter 2009