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Restoring an Eclectic Mansion

From the time it was built, the Barnes Mansion atop Alameda Ridge has been a place of extremes.
By Donna Pizzi | Photos by Philip Clayton-Thompson

    The sumptuous entry is rimmed by a frieze reiterated down the hallway toward the drawing room. The rococo radiator is part of the original system that still heats the 32-room house from a gas boiler.

    Growing up, Anna Quarum lived next door to the Barnes Mansion—the very house that children’s author Beverly Cleary called “haunted” in her popular Ramona Quimby series. “No wonder,” says Anna. “In the early 1970s, the mansion was painted battleship gray and was very scary-looking. Kids were afraid of it because the owners played a pipe organ that shook the whole neighborhood!”

    Thirty years later, Anna and her husband, Dr. Merrit Quarum, searched for an old house in Portland in which they would raise their children. Anna’s parents still lived next door to the Barnes Mansion—which has 32 rooms in 10,000 square feet of living space.

    “We saw so many houses that were in such disrepair, or that had been badly remodeled,” Anna recalls. Turns out nothing could hold a candle to the Barnes Mansion. The once-elegant neoclassical house was in reasonably good shape. The Quarum family could fill it with children—something its original owner missed out on. Frank C. Barnes, a second-generation Oregon pioneer who’d come to Oregon in 1861 at the age of six on his grandfather’s wagon train, built the place to draw prospective husbands for his six daughters. But every one found a mate during the almost four years it took architect David Lockhead Williams to build the mansion. Barnes was content to have them marry on the landing, beneath the stunning stained-glass window.

    Legend has it that Barnes, who inherited his father’s food-market and salmon-packing company, situated the mansion high upon this Eastside promontory to fuel an ongoing rivalry between Portland’s East and West sides—and more specifically to show his immense dislike for Henry Pittock, the newspaper magnate and entrepreneur. Pittock’s 22-room French Renaissance house, now a museum, was also completed in 1914.

    The real source of the animosity between the two men is unknown. But “Barnes chose the site to obstruct the view from the Pittock Mansion on the Westside, to prove that the Eastside was every bit as good as the West,” Anna explains.

    It is believed that Mrs. Barnes lobbied for the painted art glass, depicting roses and autumn leaves, on the landing.

    The Quarums purchased the house in 1997 from Bob Charles, then co-owner of Hamburger Mary’s. The house suffered from water damage, some of it dating as far back as the 1962 Columbus Day Storm, which took off portions of the roof and downed 19 trees on the property. Rot had even caused structural damage; the built-in gutters needed relining, and water had leaked in through perpetual cracks in the parapet. Yet somehow, the fine interior woodwork of Honduran mahogany had been spared.

    During the 1960s and later, the Mansion was owned by four men: organist Dr. D. Deane Hutchinson; his father, C. Carl Hutchinson; William T. McReynolds; and graduate music student John Jensen. They had coaxed the house back from abandonment and vandalism suffered in the late 1950s. Damage had included broken windows, burned hardwood floors, warped leaded glass, and peeling wallcoverings, including the 18-karat-threaded paper in the drawing room and the leatherette in the den. The drawing room’s 6′ fireplace of rare Italian marble, lighting sconces, and the entry-hall chandeliers were intact. Stained and leaded glass, believed to be the work of the Povey Brothers Glass Company, remained. Jensen, who met his wife when she came to the mansion to study organ with Hutchinson, remembers taking the warped leaded windows out into the sun for repair.

    A glass cabinet and a nook create symmetry around the fireplace in the den. Fireplace tiles depict the Mayflower, Monticello, and tribal hieroglyphics.

    The Quarums have furnished in keeping with the transitional house, which, like many mansions of the period, has rooms in an eclectic range of styles: neoclassical, Arts & Crafts, and Jacobean, with European Historical Revival motifs. (Its National Register listing calls the house “Colonial Revival.”) Before their move, the family had lived in the modern home that Merrit designed and built when he was a bachelor. Both Merrit and Anna had grown up with antiques, so they enjoyed the change and relished the hunt for furniture, working with a gentleman at Hollywood Antiques to find pieces of suitable scale. “We told him to let us know whenever anything big came in,” Anna says. “This house just swallows up furniture.”

    They found one rare item on the Internet. Their 9′ Steinway piano came with a letter of authenticity stating that the piano had been owned by Ronnie Milsap, who bought it from Roy Orbison.

    Published in: Old-House Interiors March/April 2011


    Patrick May 8, 2013 at 5:54 pm

    When Bob Charles would leave town, I’d watch over this jewel of a house for him from time to time. It’s an amazing home and the photos of the restoration show just how wonderful a job they’ve done. Last time I set foot it in was ?1989? or so? I think the dining room table was/is the largest one I’ve ever sat at. An amazing home and I hope it stays in the hands of those who can look after it.

    Loretta Muralt Holstein February 26, 2015 at 3:40 am

    Dr. Hutchison was my organ teacher in that beautiful mansion. I studied in the sixties with him. And it is unbelievable, but the shoes I bought when I started lessons with him are the shoes I still have and wear to play the organ. They are 50 years old! And now in just over a week, I am retiring from actively playing the organ. Over 60 years of playing the organ!

    Loretta Muralt Holstein March 27, 2015 at 1:34 am

    Whoops! When our son, Dan, saw my comment he said, ‘You didn’t mention me.’ He also took some lessons from Dr. D. Deane Hutchison on the pipe organ in the mansion. :)

    Steve Moeller October 27, 2015 at 2:41 pm

    This the most amazing house that I had the pleasure of working on. I added brass interlock weatherstripping to the doors and casement windows. The entry door is 42 inches wide and about killed me to lift by myself. The interior wood work is hard to describe the quality and find the right words to describe. The pipe organ was amazing, pipes in the basement, keyboard in main entry area.
    Bob was great to work for and also had me replace a threshold on his restaurant, Hamburger Mary’s, well known for great burgers in downtown Portland. It was a privilege to work on such a fantastic historic monument. All West Door and Window from 1979-2010. My back still hurts!

    Johanna Venables April 12, 2016 at 10:09 pm

    The Hutchison’s are my relatives. My parents came out to Portland from Iowa on their honeymoon and stayed with Uncle Carl and Deane. When I moved to Portland ten years ago from Iowa, my dad emailed me a photo from 1974 of this house and said, ‘go find it’ . I did by doing a Mult. Co record search. I have the photo if anyone would like to see it or use it for historical purposes.

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