A New-Old Farmhouse in Maryland

Jones & Boer Architects designs a pared-down new-old farmhouse for a Maryland family.

When designing the relaxed weekend retreat on Maryland’s West River that looks as though it has been on site for centuries, Wouter Boer of Washington, D.C.-based Jones & Boer Architects turned to the past for inspiration.

Clients Richard and Amy Zantzinger wanted a traditional-style house that provided panoramic views and yet was modest in size.

The snow-white siding, which is new, has a detailed bead at the bottom of the profile to cast a shadow; boards were laid slightly imperfectly to create a feeling of settled age. 

Max Mackenzie

“The project was a team effort,” Boer says, adding that he and the Zantzingers have worked together on many projects for various clients.

Boer studied farmhouses, many of which date to the 1700s, and created a 4,300-square-foot, Shaker-simple home that has two faces: a more formal one for the back side that looks out over the water and an agrarian one in the front that complements the farmland.

The decorating approach is comfortable and welcoming. A wall of French doors illuminates the main space with natural light.

Max Mackenzie

“The placement of the rooms, windows and doors needed to be consistent inside the house while maintaining the duality of the two very different elevations,” he says. “The design was all about symmetry versus asymmetry and playing the different facades off against each other, mediating them through the floor plans.”

The water side, where the owner pulls up his boat to the entrance, features a series of bi-fold doors and a porch that runs the width of the house. The farm side features fenestration that syncs with the living spaces. “The farm side is more abstract and in my mind more interesting,” Boer says.

The kitchen, too, has a simple farmhouse design, and features wide-board flooring, open shelving, and a big gathering table in the middle.

Max Mackenzie

The snow-white, wood-sided house, which presides over 60 acres, has a minimalist aesthetic that is inherent in its materials.

“To create architectural authenticity, we used standard products—bricks, wood siding, wood shingles, and wood windows—rather than elaborate custom items,” he says.

Historically inspired lanterns line the upper hallway.

Max Mackenzie

Creating a New-Old Farmhouse

The red brick of the foundation and off-center chimneys, which was sourced by the owner, comes from a vintage building in Baltimore. The wood siding, which is new, was treated to look as though it came from another century. “We created a detailed bead at the bottom of the profile to cast a shadow,” Boer says. Owner Richard Zantzinger, who is a contractor, laid the siding with slight imperfection, to convey a storied past. The project also included the refurbishment of a 1700s wood-frame and brick-foundation cottage that the Zantzingers acquired from their neighbors, for use as a guesthouse.

The front of the house has an agrarian aspect; the house sits on 60 acres.

Max Mackenzie

Inside, Boer created a floor plan designed to embrace the outdoors. He added simple architectural elements, including the plain plaster fireplace and stone surround in the living-room/dining-room space, the Shaker-style cabinets in the kitchen, and the elegantly spare staircase in the hall.

This view looks from the dock to the more formal, colonnaded elevation of the pristine new farmhouse.

Max Mackenzie

Amy Zantzinger, who is an interior designer, selected the furnishings, which include the wooden sailboat, Richard’s boyhood toy, on the living-room/dining-room mantel and the plain wooden farmhouse table where the family gathers for meals.

Boer says that aging the house was about subtracting—not adding—details. “The simple vocabulary inside and out takes advantage of all the land has to offer,” Boer says, adding that, to echo the past, the roof wasn’t even equipped with gutters.

 Illuminated at dusk, the house creates a pretty picture for boaters passing by.

Max Mackenzie

“To strip stuff back and still achieve architecture is very fulfilling.”

 A low, open farmer’s porch has views out over the river. All of the furniture is simple and traditional.

Max Mackenzie

Resources

architect Jones Boer Architects, Washington, DC

contractor Zantzinger, Washington, DC


Tags: farmhouse Jones And Boer NOH Winter 2020

By Nancy A. Ruhling

Nancy A. Ruhling's stories have appeared in more than 50 print and online publications, including The New York Times, The HuffPost, The Los Angeles Times, The New York Post, The New York Daily News, Victoria, The Robb Report, Woman’s Day, the NewYorkSocialDiary.com and The Associated Press’ ASAP. Ruhling's photos have appeared on ABC News and in The HuffPost, the New York Post and USA TODAY.

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